Michel Auder Movies

Documentary portrait of Henri Langlois, co-founder of the Cinémathèque Française.

Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996....

“FUN AND GAMES (FOR EVERYONE): a pitch black and milky white film shot during one of Olivier Mosset's exhibition openings. A psychedelic game...

Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All...

Cleopatra situates itself in the same relationship to Hollywood as the Warhol/Morrisey films of the period. It corresponds to Joseph Mankiewicz's...

a fictional autobiography in which a day from the artist’s life—filtered, edited, mediated, and performed by another actor—becomes...

"The question is, it is either going to be a stoned age or a new Stone Age" - Louis Brigante

Phone video by Michel Auder.

Michel Auder’s Jesus – in which underground NY artists and Warhol superstars openly discuss their beliefs. Jesus – which premiered...

One of the very few films made by Etienne O'Leary, all of which emerged from the French underground circa 1968 and can be very loosely designated...

The Feature does not reconcile fact and fiction; instead, it blurs the definitions seemingly represented by the film’s two clearly demarcated...

Michel reads a book about love, with pictures of naked ladies flashing by and a song by Laurie Anderson playing in the background.

Warhol Superstars Viva and Louis Waldon are the main subjects of Auder’s first film with synched sound, Keeping Busy (1969), which was billed...

A portrait of Rome that would have made Plutarch proud, Roman Variations was made during a residency at a studio provided by the gallerist Barbara...

Video interviews of passerby at the World Trade Center by artist Marcia Resnick. Recorded 1976, edited 2007.

Reel-to-reel video by Michel Auder, recorded 1971, edited 2009. Features Auder's former wife Viva.

Gulf War TV War was made in one of Auder's usual domestic modes: filming his TV, in which he documents American television news during the run-up to...

Auder's reminiscences from 1986 - 87.